https://hzzlk.com/info 2025-10-16T12:34:11+00:00 always 0.5 https://hzzlk.com/header 2025-10-16T12:48:27+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z2488799813058934732019845731650/hzzlk.png https://hzzlk.com 2025-10-24T12:54:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/W856077974638458788499502738012/vertical.svg https://freight.cargo.site/t/original/i/Q2488851864162900541966802392386/thumbnail-1.png https://freight.cargo.site/t/original/i/I2488905268593798575541303809346/YOUR-IMAGE-HERE.png https://freight.cargo.site/t/original/i/K2488971768405208023673916527938/ToI.jpg https://freight.cargo.site/t/original/i/M2488971768423654767747626079554/U1-fixed.png https://freight.cargo.site/t/original/i/N2488971768386761279600206976322/Artboard-3.png https://freight.cargo.site/t/original/i/P2488989540182916076193038898498/skan1.png https://freight.cargo.site/t/original/i/L2535161594943919877877267338562/envelope.png https://freight.cargo.site/t/original/i/O2535219621372566276043312108866/nobgloop.gif https://freight.cargo.site/t/original/i/B2553883961929650476296796280130/salts7.png https://hzzlk.com/home-page-mobile 2025-09-23T09:30:36+00:00 always 0.5 https://freight.cargo.site/t/original/i/W856077974638458788499502738012/vertical.svg https://freight.cargo.site/t/original/i/Q2488851864162900541966802392386/thumbnail-1.png https://freight.cargo.site/t/original/i/I2488905268593798575541303809346/YOUR-IMAGE-HERE.png https://freight.cargo.site/t/original/i/K2488971768405208023673916527938/ToI.jpg https://freight.cargo.site/t/original/i/M2488971768423654767747626079554/U1-fixed.png https://freight.cargo.site/t/original/i/N2488971768386761279600206976322/Artboard-3.png https://freight.cargo.site/t/original/i/L2535161594943919877877267338562/envelope.png https://freight.cargo.site/t/original/i/O2535219621372566276043312108866/nobgloop.gif https://freight.cargo.site/t/original/i/B2553883961929650476296796280130/salts7.png https://hzzlk.com/footer-1 2025-11-08T13:36:25+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2488696720478199754397111457090/book-gray-1.png https://hzzlk.com/overlays 2025-09-22T21:14:29+00:00 always 0.5 https://hzzlk.com/atnqr 2025-10-24T11:47:39+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2490552247787638803615180559682/A-lego-block.png This thesis book explores illegibility in graphic design as a deliberate strategy. Moving beyond typography’s traditional goals of clarity and transparency, it examines how distortion, ambiguity, and resistance can expand the expressive potential of language. The work connects historical and contemporarY examples of experimental type with original research. Central to the project is Friction, an experimental process of creating letterforms through object guided, gestural drawing, producing a modular system of glyphs that resists conventional readability. The book argues that illegibility is not the end of communication, but a reconfiguration—inviting new ways of seeing, feeling, and interpreting meaning. https://freight.cargo.site/t/original/i/V2496718747975212802329347528002/descriptions.png W01.2 https://freight.cargo.site/t/original/i/J2533620719116148617930591868226/img.png This thesis book explores illegibility in graphic design as a deliberate strategy. Moving beyond typography’s traditional goals of clarity and transparency, it examines how distortion, ambiguity, and resistance can expand the expressive potential of language. The work connects historical and contemporarY examples of experimental type with original research. Central to the project is Friction, an experimental process of creating letterforms through object guided, gestural drawing, producing a modular system of glyphs that resists conventional readability. The book argues that illegibility is not the end of communication, but a reconfiguration—inviting new ways of seeing, feeling, and interpreting meaning. https://freight.cargo.site/t/original/i/V2535155299402208914134072726850/skan-ksiazki2.png https://freight.cargo.site/t/original/i/G2535155330577206398703214957890/skan-ksiazki.png https://freight.cargo.site/t/original/i/K2614609496069714423629976868162/strona-4.png https://freight.cargo.site/t/original/i/G2614609496051267679556267316546/strona-3.png https://freight.cargo.site/t/original/i/V2614609496125054655851105523010/strona2.png https://freight.cargo.site/t/original/i/V2614609496088161167703686419778/strona-5.png https://freight.cargo.site/t/original/i/N2614609496106607911777395971394/strona1.png https://freight.cargo.site/t/original/i/X2614610024716506087998307079490/book-gray-1.png https://hzzlk.com/atnqr-mobile 2025-11-08T14:33:50+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2490542864260969900893045429570/strona-A-1.png https://freight.cargo.site/t/original/i/T2490542864168736180524497671490/skan1xx-1.png https://freight.cargo.site/t/original/i/C2490542864205629668671916774722/skany1-1.png https://freight.cargo.site/t/original/i/F2490542864224076412745626326338/skany3xx-1.png https://freight.cargo.site/t/original/i/D2490542864242523156819335877954/skanyx2-1.png https://freight.cargo.site/t/original/i/F2490543169831285481891767948610/book-gray-1.png https://freight.cargo.site/t/original/i/V2496718747975212802329347528002/descriptions.png https://freight.cargo.site/t/original/i/J2533620719116148617930591868226/img.png This thesis book explores illegibility in graphic design as a deliberate strategy. Moving beyond typography’s traditional goals of clarity and transparency, it examines how distortion, ambiguity, and resistance can expand the expressive potential of language. The work connects historical and contemporary examples of experimental type with original research. Central to the project is Friction, an experimental process of creating letterforms through object-guided, gestural drawing, producing a modular system of glyphs that resists conventional readability. The book argues that illegibility is not the end of communication, but a reconfiguration—inviting new ways of seeing, feeling, and interpreting meaning. https://freight.cargo.site/t/original/i/V2535155299402208914134072726850/skan-ksiazki2.png https://freight.cargo.site/t/original/i/G2535155330577206398703214957890/skan-ksiazki.png https://hzzlk.com/friction 2025-09-22T21:14:29+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Friction is an experimental process that generates new letterforms through object-guided, gestural drawing rather than conventional digital or calligraphic techniques. The result is a set of glyph variants that operates not as a polished font but as a modular system. It functions as an applied investigation into the “Ambiguous Type and Not Quite Reading” research questions about aesthetic ambiguity and materiality of language. https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png W02.1 https://freight.cargo.site/t/original/i/T2501686877311876731442309272898/letterset.gif https://freight.cargo.site/t/original/i/S2539722176821988479714142885186/img.png Friction is an experimental process that generates new letterforms through object-guided, gestural drawing rather than conventional digital or calligraphic techniques. The result is a set of glyph variants that operates not as a polished font but as a modular system. It functions as an applied investigation into the “Ambiguous Type and Not Quite Reading” research questions about aesthetic ambiguity and materiality of language. https://freight.cargo.site/t/original/i/M2539734054403796380188785153346/drawings-gif.gif https://hzzlk.com/forestami 2025-10-24T13:00:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png W02.2 https://freight.cargo.site/t/original/i/C2492083832414695249756026737986/DSCF0138.jpg https://freight.cargo.site/t/original/i/M2542914610454606270961373058370/img.png Remember to Water the Trees is a project which narrates a portion of web debate on the topic of tree planting initiatives by Forestami. Fragmented and occasionally contradictory narratives emerge, allowing to reflect on how the issue of biodiversity increasingly affects our lives and how digital platforms mediate these discussions. The debate was analyzed by collecting data from Instagram, Facebook, and Twitter. On Instagram and Facebook, comments on Forestami’s official profiles and two critical profiles (“Forestami e poi dimenticami” and “Forestami e bagnami”) were examined. On Twitter, posts with the official hashtag #forestami were collected. Each comment was summarized into a statement that captured its tone and intention, and these statements were then grouped by topic. The analysis, compiled in the catalog Remember to Water the Trees, highlights the various positions of users, from the most enthusiastic to the most critical. An additional overview and analysis of the online discussion is presented through another catalogue which compiles all of the posts along with images as a context reference to the main one. https://freight.cargo.site/t/original/i/T2614619882324497685055918740802/forestami_book1.png https://freight.cargo.site/t/original/i/R2614619882269157452834790085954/domanda2.png https://freight.cargo.site/t/original/i/D2614619882250710708761080534338/domanda1.png https://freight.cargo.site/t/original/i/U2614619882287604196908499637570/domanda3.png https://freight.cargo.site/t/original/i/N2614619882342944429129628292418/forestami_book3.png https://freight.cargo.site/t/original/i/O2614619882306050940982209189186/dwa-katalogi.png https://freight.cargo.site/t/original/i/K2614623785102141359785754137922/forestami_book2.png https://freight.cargo.site/t/original/i/X2614691148940596476400054998338/Sequence-01.gif https://hzzlk.com/forestami-mobile 2025-11-08T14:39:08+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Remember to Water the Trees is a project which narrates a portion of web debate on the topic of tree planting initiatives by Forestami. Fragmented and occasionally contradictory narratives emerge, allowing to reflect on how the issue of biodiversity increasingly affects our lives and how digital platforms mediate these discussions.The debate was analyzed by collecting data from Instagram, Facebook, and Twitter. On Instagram and Facebook, comments on Forestami’s official profiles and two critical profiles (“Forestami e poi dimenticami” and “Forestami e bagnami”) were examined. On Twitter, posts with the official hashtag #forestami were collected. Each comment was summarized into a statement that captured its tone and intention, and these statements were then grouped by topic. The analysis, compiled in the catalog Remember to Water the Trees, highlights the various positions of users, from the most enthusiastic to the most critical. An additional overview and analysis of the online discussion is presented through another catalogue which compiles all of the posts along with images as a context reference to the main one. https://freight.cargo.site/t/original/i/J2492083664161942553451206448450/dwa-katalogi.png https://freight.cargo.site/t/original/i/C2492083832414695249756026737986/DSCF0138.jpg https://freight.cargo.site/t/original/i/S2542877229142311822609048573250/forestami_book1.png https://freight.cargo.site/t/original/i/I2542877229252992287051305882946/forestami_book2.png https://freight.cargo.site/t/original/i/R2542877229271439031125015434562/forestami_book3.png https://freight.cargo.site/t/original/i/M2542914610454606270961373058370/img.png Remember to Water the Trees is a project which narrates a portion of web debate on the topic of tree planting initiatives by Forestami. Fragmented and occasionally contradictory narratives emerge, allowing to reflect on how the issue of biodiversity increasingly affects our lives and how digital platforms mediate these discussions.The debate was analyzed by collecting data from Instagram, Facebook, and Twitter. On Instagram and Facebook, comments on Forestami’s official profiles and two critical profiles (“Forestami e poi dimenticami” and “Forestami e bagnami”) were examined. On Twitter, posts with the official hashtag #forestami were collected. Each comment was summarized into a statement that captured its tone and intention, and these statements were then grouped by topic. The analysis, compiled in the catalog Remember to Water the Trees, highlights the various positions of users, from the most enthusiastic to the most critical. An additional overview and analysis of the online discussion is presented through another catalogue which compiles all of the posts along with images as a context reference to the main one. https://freight.cargo.site/t/original/i/T2543043547569424558245755655490/domanda1.png https://freight.cargo.site/t/original/i/A2543049868290941182602488223042/domanda2.png https://freight.cargo.site/t/original/i/X2543059760671045358602604680514/domanda3.png https://hzzlk.com/toi 2025-10-24T12:16:45+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Things of Internet is an interactive installation made to highlight the physical dimensions of the Internet and its negative impact on the environment. It invites the recipient to determine their own imaginary parameters describing the physical features of the Web. In response it presents its actual image—to every chosen potential feature there is an assigned fact about the environmental consequences of internet usage which is printed on a receipt from the other side of the object—“the void”. By involving speculation and imagination, the project aims to encourage everyone to analyze their own online habits. Awareness is important for informed decision-making and behavioral change, so it's necessary to consider even those aspects that might not yet seem to demand immediate action. The project was developed under the guidance of Piotr Hojda PhD and Stanisław Półtorak PhD, and in collaboration with Marcin Maciejewski and Joanna Murzyn from the Digital Ecology Institute. It was awarded by the Austrian Culture Forum and was part of an exhibition held during Przemiany festival at the Copernicus Science Center in Warsaw. https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png W03.2 https://freight.cargo.site/t/original/i/P2543222076246927819635158848834/img.png Things of Internet is an interactive installation made to highlight the physical dimensions of the Internet and its negative impact on the environment. It invites the recipient to determine their own imaginary parameters describing the physical features of the Web. In response it presents its actual image—to every chosen potential feature there is an assigned fact about the environmental consequences of internet usage which is printed on a receipt from the other side of the object—“the void”. By involving speculation and imagination, the project aims to encourage everyone to analyze their own online habits. Awareness is important for informed decision-making and behavioral change, so it's necessary to consider even those aspects that might not yet seem to demand immediate action. The project was developed under the guidance of Piotr Hojda PhD and Stanisław Półtorak PhD, and in collaboration with Marcin Maciejewski and Joanna Murzyn from the Digital Ecology Institute. It was awarded by the Austrian Culture Forum and was part of an exhibition held during Przemiany festival at the Copernicus Science Center in Warsaw. https://freight.cargo.site/t/original/i/J2614640228640489128922321950018/thumbnail.png https://freight.cargo.site/t/original/i/J2614640228622042384848612398402/rozmiar.jpg https://freight.cargo.site/t/original/i/K2614640228658935872996031501634/ToI5.jpg https://freight.cargo.site/t/original/i/G2614640228603595640774902846786/paragony.png https://freight.cargo.site/t/original/i/P2614640228677382617069741053250/ToI6.jpg https://hzzlk.com/toi-mobile 2025-11-08T14:39:09+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png https://freight.cargo.site/t/original/i/X2490598933526963566623082845506/DSCF7368.png https://freight.cargo.site/t/original/i/Q2490599431017204490495980377410/ToI5.jpg https://freight.cargo.site/t/original/i/F2490599431035651234569689929026/ToI6.jpg https://freight.cargo.site/t/original/i/K2490603376499060695863427765570/paragony.png https://freight.cargo.site/t/original/i/P2543222076246927819635158848834/img.png Things of Internet is an interactive installation made to highlight the physical dimensions of the Internet and its negative impact on the environment. It invites the recipient to determine their own imaginary parameters describing the physical features of the Web. In response it presents its actual image—to every chosen potential feature there is an assigned fact about the environmental consequences of internet usage which is printed on a receipt from the other side of the object—“the void”. By involving speculation and imagination, the project aims to encourage everyone to analyze their own online habits. Awareness is important for informed decision-making and behavioral change, so it's necessary to consider even those aspects that might not yet seem to demand immediate action. The project was developed under the guidance of Piotr Hojda PhD and Stanisław Półtorak PhD, and in collaboration with Marcin Maciejewski and Joanna Murzyn from the Digital Ecology Institute. It was awarded by the Austrian Culture Forum and was part of an exhibition held during Przemiany festival at the Copernicus Science Center in Warsaw. https://hzzlk.com/toi-book 2025-10-24T12:16:45+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png W04.2 https://freight.cargo.site/t/original/i/D2490620576114107814133387662658/nowe4.jpg https://freight.cargo.site/t/original/i/C2496976690826737331097644733762/thumbnail2.png https://freight.cargo.site/t/original/i/Z2498369667006205549215548872002/IMG_6341-1.png https://freight.cargo.site/t/original/i/G2544756169981666427675506283842/img.png W04.1 https://freight.cargo.site/t/original/i/V2614644425182532177476766831938/nowe5.jpg https://freight.cargo.site/t/original/i/T2614644425108745201181928625474/nowe.jpg https://freight.cargo.site/t/original/i/V2614644425145638689329347728706/nowe3.jpg https://freight.cargo.site/t/original/i/Q2614644425127191945255638177090/nowe2.jpg https://hzzlk.com/toi-book-mobile 2025-11-08T14:39:09+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png The Things of Internet book is a documentation of my bachelor thesis process. It describes every step of the project along with visuals. The spine of the book is open and raw, glued and sewn with black thread for a contrasting look. Things of Internet is an interactive installation made to highlight the physical dimensions of the Internet and its negative impact on the environment. It invites the recipient to determine their own imaginary parameters describing the physical features of the Web. In response it presents its actual image—to every chosen potential feature there is an assigned fact about the environmental consequences of internet usage which is printed on a receipt from the other side of the object—“the void”. By involving speculation and imagination, the project aims to encourage everyone to analyze their own online habits. Awareness is important for informed decision-making and behavioral change, so it's necessary to consider even those aspects that might not yet seem to demand immediate action. https://freight.cargo.site/t/original/i/T2490620576077214325985968559426/nowe2.jpg https://freight.cargo.site/t/original/i/B2490620575948087117470001698114/nowe.jpg https://freight.cargo.site/t/original/i/F2490620576095661070059678111042/nowe3.jpg https://freight.cargo.site/t/original/i/D2490620576114107814133387662658/nowe4.jpg https://freight.cargo.site/t/original/i/C2496976690826737331097644733762/thumbnail2.png https://freight.cargo.site/t/original/i/X2496977897538947656881673246018/nowe5.jpg https://freight.cargo.site/t/original/i/Z2498369667006205549215548872002/IMG_6341-1.png https://freight.cargo.site/t/original/i/G2544756169981666427675506283842/img.png The Things of Internet book is a documentation of my bachelor thesis process. It describes every step of the project along with visuals. The spine of the book is open and raw, glued and sewn with black thread for a contrasting look. Things of Internet is an interactive installation made to highlight the physical dimensions of the Internet and its negative impact on the environment. It invites the recipient to determine their own imaginary parameters describing the physical features of the Web. In response it presents its actual image—to every chosen potential feature there is an assigned fact about the environmental consequences of internet usage which is printed on a receipt from the other side of the object—“the void”. By involving speculation and imagination, the project aims to encourage everyone to analyze their own online habits. Awareness is important for informed decision-making and behavioral change, so it's necessary to consider even those aspects that might not yet seem to demand immediate action. https://hzzlk.com/neven 2025-10-24T12:31:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Neven is a generative brand for a music festival that combines live coded music with the movement of water. Each edition is held near a body of water, featuring live coding performances of experimental electronic music. The brand incorporates two generative ASCII art animations. ASCII characters are used to visually link the movements of water with coding, as well as to symbolize the imperfect nature of this type of music. Generative brand assets include posters, tickets, and vinyls which were produced using p5.js. Done in collaboration with Marco Trabattoni and Alessio De Nicolò. https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png W05.2 https://freight.cargo.site/t/original/i/D2498685449992708075757129078082/vinyl-no-case.png https://freight.cargo.site/t/original/i/D2498685658975871686812639335746/neven11-magenta2-1.png https://freight.cargo.site/t/original/i/J2544798829608416639131511067970/img.png Neven is a generative brand for a music festival that combines live coded music with the movement of water. Each edition is held near a body of water, featuring live coding performances of experimental electronic music. The brand incorporates two generative ASCII art animations. ASCII characters are used to visually link the movements of water with coding, as well as to symbolize the imperfect nature of this type of music. Generative brand assets include posters, tickets, and vinyls which were produced using p5.js. Done in collaboration with Marco Trabattoni and Alessio De Nicolò. https://freight.cargo.site/t/original/i/H2614652390449729717113735517506/bilety.png https://freight.cargo.site/t/original/i/L2614652652614856492673883084098/Screenshot-2025-02-20-at-12.49.png https://freight.cargo.site/t/original/i/D2614652696296746459218101310786/neven-poster.png https://freight.cargo.site/t/original/i/V2614652846619263915877237429570/vinyl3.png https://freight.cargo.site/t/original/i/B2614652878790385580426695447874/vinyl1.png https://freight.cargo.site/t/original/i/G2614653466411418048444462175554/plakat-szary.png https://freight.cargo.site/t/original/i/N2614653790944986537216603755842/neven-pink-1.png https://freight.cargo.site/t/original/i/E2614660365844189753217248040258/white2.png https://hzzlk.com/neven-mobile 2025-10-09T14:45:01+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Neven is a generative brand for a music festival that combines live coded music with the movement of water. Each edition is held near a body of water, featuring live coding performances of experimental electronic music. The brand incorporates two generative ASCII art animations. ASCII characters are used to visually link the movements of water with coding, as well as to symbolize the imperfect nature of this type of music. Generative brand assets include posters, tickets, and vinyls which were produced using p5.js. Done in collaboration with Marco Trabattoni and Alessio De Nicolò. https://freight.cargo.site/t/original/i/H2498665364310763649332980651330/vinyl1.png https://freight.cargo.site/t/original/i/Q2498665364329210393406690202946/vinyl3.png https://freight.cargo.site/t/original/i/O2498665364236976673038142444866/neven-pink-1.png https://freight.cargo.site/t/original/i/T2498665364292316905259271099714/Screenshot-2025-02-20-at-12.49.png https://freight.cargo.site/t/original/i/Y2498665364366103881554109306178/plakat-szary.png https://freight.cargo.site/t/original/i/M2498681476748502039456806507842/neven-poster.png https://freight.cargo.site/t/original/i/Y2498683070418062799446099268930/freeze_frame_20250219_124305.png https://freight.cargo.site/t/original/i/D2498685449992708075757129078082/vinyl-no-case.png https://freight.cargo.site/t/original/i/D2498685658975871686812639335746/neven11-magenta2-1.png https://freight.cargo.site/t/original/i/Y2498710458631030429344155473218/bilety.png https://freight.cargo.site/t/original/i/J2544798829608416639131511067970/img.png Neven is a generative brand for a music festival that combines live coded music with the movement of water. Each edition is held near a body of water, featuring live coding performances of experimental electronic music. The brand incorporates two generative ASCII art animations. ASCII characters are used to visually link the movements of water with coding, as well as to symbolize the imperfect nature of this type of music. Generative brand assets include posters, tickets, and vinyls which were produced using p5.js. Done in collaboration with Marco Trabattoni and Alessio De Nicolò. https://hzzlk.com/hand-in-hand 2025-10-24T12:36:14+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Hand in hand serves as an evidence of a chronological story of my documented interactions and connections throughout the year. The focus point of this collection of images are hands—a powerful tool of non-verbal communication. Each image invites the viewer to decipher the depth of these interactions. The intention of the project is not only to encapsulate and reflect on the connections from the past, but also provoke the viewers to pay more attention to the ones that they are experiencing on daily occasions. Another goal is also to show how nuanced the nature of non-verbal communication can be and that there are endless ways in which hands can express emotions, convey messages, and contribute to the overall language of communication. The catalogue is a complete collection of the images ordered chronologically and alterd the same way for a cohesive appearance. https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png W07.2 https://freight.cargo.site/t/original/i/T2545032170092710293691946669378/img.png Hand in hand serves as an evidence of a chronological story of my documented interactions and connections throughout the year. The focus point of this collection of images are hands—a powerful tool of non-verbal communication. Each image invites the viewer to decipher the depth of these interactions. The intention of the project is not only to encapsulate and reflect on the connections from the past, but also provoke the viewers to pay more attention to the ones that they are experiencing on daily occasions. Another goal is also to show how nuanced the nature of non-verbal communication can be and that there are endless ways in which hands can express emotions, convey messages, and contribute to the overall language of communication. The catalogue is a complete collection of the images ordered chronologically and alterd the same way for a cohesive appearance. https://freight.cargo.site/t/original/i/C2614664339586457879507728504130/Artboard-2.png https://freight.cargo.site/t/original/i/Q2614664339604904623581438055746/Artboard-3.png https://freight.cargo.site/t/original/i/E2614664339641798111728857158978/Artboard-6.png https://freight.cargo.site/t/original/i/D2614664339678691599876276262210/hih2.png https://freight.cargo.site/t/original/i/R2614664339623351367655147607362/Artboard-4.png https://hzzlk.com/hand-in-hand-mobile 2025-11-08T14:39:09+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Hand in hand serves as an evidence of a chronological story of my documented interactions and connections throughout the year. The focus point of this collection of images are hands —a powerful tool of non-verbal communication. Each image invites the viewer to decipher the depth of these interactions. The intention of the project is not only to encapsulate and reflect on the connections from the past, but also provoke the viewers to pay more attention to the ones that they are experiencing on daily occasions. Another goal is also to show how nuanced the nature of non-verbal communication can be and that there are endless ways in which hands can express emotions, convey messages, and contribute to the overall language of commu-nication. The catalogue is a complete collection of the images ordered chronologically and alterd the same way for a cohesive appearance. https://freight.cargo.site/t/original/i/V2498732529256424163210895988034/Artboard-1.png https://freight.cargo.site/t/original/i/S2498732529330211139505734194498/Artboard-4.png https://freight.cargo.site/t/original/i/M2498732529367104627653153297730/hih2.png https://freight.cargo.site/t/original/i/O2498732529311764395432024642882/Artboard-2.png https://freight.cargo.site/t/original/i/P2498732529348657883579443746114/Artboard-3.png https://freight.cargo.site/t/original/i/T2545032170092710293691946669378/img.png Hand in hand serves as an evidence of a chronological story of my documented interactions and connections throughout the year. The focus point of this collection of images are hands —a powerful tool of non-verbal communication. Each image invites the viewer to decipher the depth of these interactions. The intention of the project is not only to encapsulate and reflect on the connections from the past, but also provoke the viewers to pay more attention to the ones that they are experiencing on daily occasions. Another goal is also to show how nuanced the nature of non-verbal communication can be and that there are endless ways in which hands can express emotions, convey messages, and contribute to the overall language of commu-nication. The catalogue is a complete collection of the images ordered chronologically and alterd the same way for a cohesive appearance. https://hzzlk.com/upcycling-kills 2025-10-25T16:26:14+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Upcycling Kills is a result of a workshop at Politecnico di Milano with Ivica Mitrović from Interakcije—a speculative design educational platform. The workshop explored speculative futures, one of which was the issue of extreme heat, focusing on Milan in 2053. The research began by identifying the main consequences of rising temperatures on the urban environment, followed by an examination of their effects on individuals. Particular attention was given to how heat and UV exposure could lead to severe health risks, including heat strokes, skin cancer, cardiovascular conditions, and respiratory problems. In response to these damages, the project proposed a speculative scenario in which individuals adopt new methods of self-protection. Set within the context of Milan — the capital of fashion — the scenario considered the evolving relationship between clothing, necessity, and identity. Based on the scenario a zine was created with a manifesto and various articles addressing the topic of a heatwave in Milan. https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png W08.2 https://freight.cargo.site/t/original/i/H2498771642441285971784473941314/Sequence-01.gif https://freight.cargo.site/t/original/i/V2546132063959613556684746560834/img.png Upcycling Kills is a result of a workshop at Politecnico di Milano with Ivica Mitrović from Interakcije—a speculative design educational platform. The workshop explored speculative futures, one of which was the issue of extreme heat, focusing on Milan in 2053. The research began by identifying the main consequences of rising temperatures on the urban environment, followed by an examination of their effects on individuals. Particular attention was given to how heat and UV exposure could lead to severe health risks, including heat strokes, skin cancer, cardiovascular conditions, and respiratory problems. In response to these damages, the project proposed a speculative scenario in which individuals adopt new methods of self-protection. Set within the context of Milan — the capital of fashion — the scenario considered the evolving relationship between clothing, necessity, and identity. Based on the scenario a zine was created with a manifesto and various articles addressing the topic of a heatwave in Milan. https://freight.cargo.site/t/original/i/D2614669550588744517645254956354/DSCF1485-2.jpg https://freight.cargo.site/t/original/i/T2614669550607191261718964507970/DSCF1499-2-2.jpg https://freight.cargo.site/t/original/i/M2614669550625638005792674059586/U1-fixed-2.png https://hzzlk.com/upcycling-kills-mobile 2025-11-08T14:39:09+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2490596422039651419215049430338/2.png Upcycling Kills is a result of a workshop at Politecnico di Milano with Ivica Mitrović from Interakcije—a speculative design educational platform. Throughout the speculative workshop, a scenario addressing the issue of future extreme heat has been developed. Focusing specifically on Milan in 2053, the main consequences of heat on the city itself were listed before examining its impact on individuals. We wanted to highlight the issue of the new environment impacting citizens, particularly through heat and UV rays causing critical health damages such as strokes, skin cancer, cardiovascular diseases, and respiratory issues. In response to these damages, we have imagined a hypothetical course of action, originating from individuals taking steps to protect themselves. As the scenario is set in Milan, attention was primarily directed towards how people would need to dress in the capital city of fashion. Initially observing a division within the fashion world between luxury and necessity, the focus later shifted towards the development of more of an anarchist movement opposing the luxury world. Based on the scenario a zine was created containing a manifesto and various articles addressing the topic of heatwave in Milan. https://freight.cargo.site/t/original/i/M2498770953436948074659011532098/U1.jpg https://freight.cargo.site/t/original/i/V2498770953418501330585301980482/DSCF1499-2.jpg https://freight.cargo.site/t/original/i/F2498770953363161098364173325634/DSCF1485.jpg https://freight.cargo.site/t/original/i/H2498771642441285971784473941314/Sequence-01.gif https://freight.cargo.site/t/original/i/V2546132063959613556684746560834/img.png Upcycling Kills is a result of a workshop at Politecnico di Milano with Ivica Mitrović from Interakcije—a speculative design educational platform. Throughout the speculative workshop, a scenario addressing the issue of future extreme heat has been developed. Focusing specifically on Milan in 2053, the main consequences of heat on the city itself were listed before examining its impact on individuals. We wanted to highlight the issue of the new environment impacting citizens, particularly through heat and UV rays causing critical health damages such as strokes, skin cancer, cardiovascular diseases, and respiratory issues. In response to these damages, we have imagined a hypothetical course of action, originating from individuals taking steps to protect themselves. As the scenario is set in Milan, attention was primarily directed towards how people would need to dress in the capital city of fashion. Initially observing a division within the fashion world between luxury and necessity, the focus later shifted towards the development of more of an anarchist movement opposing the luxury world. Based on the scenario a zine was created containing a manifesto and various articles addressing the topic of heatwave in Milan. https://hzzlk.com/salts-fragrance 2025-11-08T14:30:22+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png W09.2 https://freight.cargo.site/t/original/i/V2546132063959613556684746560834/img.png Salts is a conceptual fragrance brand built around the tension between chance and chemistry. The name Salts refers to the essential mineral compounds that make up the invisible structure of life—and by extension, the molecular architecture of fragrance itself. At the same time, a dice symbol connects the scientific with the unpredictable. While perfumes are carefully composed at a molecular level, their effect is never entirely predictable: how a scent unfolds on the skin or how memory and emotion shape its perception. The dice captures this element of randomness and play, suggesting that fragrance is not only a formula, but also a gamble. https://freight.cargo.site/t/original/i/S2567090592190476150468266333506/dice2_.png https://freight.cargo.site/t/original/i/L2614672676924483385866353284418/box-2.png https://freight.cargo.site/t/original/i/V2614672763329032627121893053762/salts4edited-2.png https://freight.cargo.site/t/original/i/I2614672831102370353930785690946/salts8-2.png https://freight.cargo.site/t/original/i/Y2614672905737896876159631529282/salts2-2.png https://freight.cargo.site/t/original/i/T2614672971408305778565635282242/salts1.2-2.png https://hzzlk.com/salts-fragrance-mobile 2025-11-08T14:39:09+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2490612942390241511278190171458/descriptions.png Salts is a conceptual fragrance brand built around the tension between chance and chemistry. The name Salts refers to the essential mineral compounds that make up the invisible structure of life—and by extension, the molecular architecture of fragrance itself. At the same time, a dice symbol connects the scientific with the unpredictable. While perfumes are carefully composed at a molecular level, their effect is never entirely predictable: how a scent unfolds on the skin or how memory and emotion shape its perception. The dice captures this element of randomness and play, suggesting that fragrance is not only a formula, but also a gamble. https://freight.cargo.site/t/original/i/V2546132063959613556684746560834/img.png Salts is a conceptual fragrance brand built around the tension between chance and chemistry. The name Salts refers to the essential mineral compounds that make up the invisible structure of life—and by extension, the molecular architecture of fragrance itself. At the same time, a dice symbol connects the scientific with the unpredictable. While perfumes are carefully composed at a molecular level, their effect is never entirely predictable: how a scent unfolds on the skin or how memory and emotion shape its perception. The dice captures this element of randomness and play, suggesting that fragrance is not only a formula, but also a gamble. https://freight.cargo.site/t/original/i/J2552921564245454772935814190402/salts1.png https://freight.cargo.site/t/original/i/V2552946338536340414116696855874/salts2.png https://freight.cargo.site/t/original/i/T2552956946742348370415963772226/salts6.png https://freight.cargo.site/t/original/i/F2554043876089942677746211525954/box.png https://freight.cargo.site/t/original/i/N2554052707118179828793566205250/salts4edited.png